Born in Málaga, he graduated with a Higher Degree from the Superior Conservatory of Music of Málaga. He began his studies with Francisco Heredia and Manuel Carra. He has received coaching from Iñaki Fresán, Carlos Álvarez, Carlos Chausson, Brindley Sherratt, Ana Luisa Chova, Sonia Prina, and Charles dos Santos. Thanks to Lynne Kurzeknabe, he was introduced to Baroque music. In 2014, he received an award at the Marbella Crea Young Talents Competition.
His repertoire includes roles such as the Commendatore and Masetto (Don Giovanni), Oroveso (Norma), Angelotti (Tosca), Siripo and Padre Esteban (Tabaré), Bartolo (Le nozze di Figaro), Don Fernando (Fidelio), Sprecher (Die Zauberflöte), Señor Alberto (Marina), Padre Prior (La dolorosa), the High Priest (La corte del faraón), Don Juan (El barberillo de Lavapiés), Frère Laurent (Roméo et Juliette), Cano (Juan José by Sorozábal), and Polyphemus (Acis and Galatea by Handel). His recent engagements include Don Carlo and Viva la Mamma at the Teatro Real in Madrid, Fidelio in Málaga, Un ballo in maschera in Seville and Valladolid, and Die Zauberflöte in Córdoba and Oviedo, among others.
He made his debut at the Gran Teatre del Liceu in Gianni Schicchi (Il trittico, 2022/23) and has since returned for Un ballo in maschera (2023/24) and Lady Macbeth of Mtsensk (2024/25).