World premiere of this new opera by Raquel García-Tomás staged by Marta Pazos
“I am twenty-five and, though I am still young, I am undoubtedly approaching the fatal end of my existence. I have suffered deeply, and I have suffered alone, abandoned by everyone!”, Mes souvenirs, Herculine Barbin
Inspiration for this opera comes from the story of Adélaïde Herculine Barbin, also known as Alexina B., an intersex person born in France in 1838. Her testimony provides moving and fertile input for the sound universe of Raquel García Tomás, the winner of the 2020 National Award for Music.
Alexina was assigned the female sex at birth and grew up in a convent. Later, when working as a teacher, she fell in love with a female companion. In a society where accepting differences was a complex matter and heterosexuality was the norm, Alexina re-defined herself as a man and changed her legal sex and identity to become Abel Barbin. Unable to adapt, however, she was reduced to solitude and ultimately killed herself.
This striking tale forces us to examine ourselves as a community and to see the damage our condemnations cause. It reveals the violence of religious and medical institutions and of a heteronormative society which permits neither self-assertion nor self-determination outside gender and sex binarism. With a libretto by Irène Gayraud and sets by Marta Pazos (who worked with García-Tomás on Je suis narcissiste, 2019), this three-act opera tells of a struggle for identity which, for Alexina, ends in a veritable leap into the void.
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With the support of:
Show included at the Barcelona Obertura Spring Festival
Alexina B.
World premiere
Libretto by: Irène Gayraud, inspired by the memoirs of Hérculine Barbin (also known as Alexina B.), Mes Souvenirs (France, 1868).
Project carried out thanks to the Fundación BBVA's Leonardo Grant for Cultural Researchers and Creators, 2020
- First act 1h 10min
- Interval 30min
- Second act 1h 10min
- Third act 20min
Artistic profile
- Stage director
- Marta Pazos
- Set design
- Max Glaenzel
- Costume design
- Silvia Delagneau
- Lighting
- Nuno Meira
- Coreography
- María Cabeza de Vaca
- Video
- Raquel García-Tomás
- Sound
- Sixto Cámara
- Musical Director Assistant
- Lorenzo Ferrandiz
- Production
- Gran Teatre del Liceu
Cast
- Cor Vivaldi-Petits Cantors de Catalunya (Òscar Boada, conductor)
- Symphony Orchestra of the Gran Teatre del Liceu
- Conductor
- Ernest Martínez Izquierdo
La Fundación BBVA no es responsabilitza de les opinions, comentaris i continguts inclosos en el projecte i/o els resultats derivats del mateix, els quals són total i absoluta responsabilitat dels seus autors.
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La prèvia
La prèvia és un podcast del Gran Teatre del Liceu. En aquest capítol parlem d'Alexina B. de Raquel García-Tomás, produït per La máquina de la luz i amb guió de Javier Blánquez.
Informació d'interès
La veu del Liceu
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