Requiem

A funeral lament, but above all an intense prayer imploring divine mercy. Rarely has music been so profoundly marked by genius, expression, faith, and the suffering of a human being.

“Since death is the true goal of our existence, I have become so well acquainted with this true and best friend of humanity in recent years that the image of death is no longer terrifying to me but is much more soothing and comforting.” – Wolfgang Amadeus Mozart

These words by Mozart about life and death serve as the starting point for Romeo Castellucci’s interpretation of the composer’s iconic and unfinished Requiem. As an expression of humanity’s existential fear of mortality, this Missa pro defunctis confronts us with the fragility of nature and culture, humanity, and the individual. “We should understand and celebrate the end as if it were a feast, where the dance continues.

This Missa pro defunctis is transposed, and its meaning changes.” Through Castellucci’s theatrical vision, complemented by other sacred works of Mozart, this Requiem becomes the ultimate celebration of life, transcending the fleetingness of existence. A co-production originating from the Festival d’Aix-en-Provence and Castellucci’s first proposal for the Gran Teatre del Liceu, this production emerges as a hymn to life, showcasing extraordinary visual beauty and irresistible theatrical power.

This Requiem defies expectations of a funeral mass; it is not a space of lamentation but rather delves into fundamental questions of time, the hope of rebirth, and the origins and ends of existence. It redefines the end as a new beginning, celebrating life in all its fragility. A conclusion that dreams of life, embracing circularity and renewal.

Giovanni Antonini, founder of Il Giardino Armonico and one of the most respected musical directors on the scene today, will champion this stunning and essential vision.